Đả Mã begins with the Flare—a defining movement in hip-hop. For many breakers, mastering it marks a threshold. Not simply of technique, but of endurance: learning through repetition until persistence becomes instinct.

That idea is translated into form. A breaker riding across five galloping horses emerges from the familiar mã đáo motif before being reconstructed through the visual language of street artist Dương Giáp. The composition embraces deliberate impossibility—a rider on the backs of horses—transforming a cultural symbol into an image of perpetual motion, resilience, and forward momentum.